color-grading

When you convert the color profile of images and textures to ACES in any graphics software, significant changes occur in their structure. In this article, we’re going to explore exactly what happens during this process. As mentioned earlier, ACES is a standardized color system designed specifically for cinematic and digital production. Its main purpose is to preserve accurate color and luminance throughout the entire production pipeline from acquisition to final output.

Blackmagic Design has released DaVinci Resolve 21.1, a major update to its all-in-one post-production platform for editing, visual effects, motion graphics, color grading, audio post-production, and now still photography.

Blackmagic Design has officially released DaVinci Resolve 21, introducing one of the software’s most feature-rich updates yet.

The new version expands DaVinci Resolve beyond video post-production with the introduction of a completely new Photo page, while also adding a large collection of AI-powered tools, improvements to editing and color grading, new Fusion capabilities, Fairlight workflow enhancements, and expanded immersive video support.

A few years ago, we published an article introducing the concept of ACES.This time, we’re taking a deeper and more technical look at the subject.Stay with me.

As previously mentioned, the ACES color system is a global standard for color management within the imaging industry, originally introduced by the Academy of Motion Picture Arts and Sciences (AMPAS). ACES was specifically designed for cinematic and television applications, with the primary goal of ensuring color accuracy, cross-device consistency, and preservation of image quality throughout all stages of production and display. Here, we outline the key features and functionalities of the ACES color system: